DE RIJP KUNST OP KAMERS 2008
live painting performance during the Biennale ' kunst op kamers' (art in rooms) at De Rijp N-Holland
24 - 25 may 2008
Morton Feldman Session - music on canvas
2003
Eric
de Nie: ”I want to transform my perception of the music into an autonomous
sound image next to the music and within the world of abstract painting.”
Morton Feldman Session- music on canvas – a
live video performance
2003.In the Dutch recording studio Grasland pianist Kees Wieringa performed the Morton Feldman composition ‘For Bunita Marcus’. Performing artist Eric de Nie was inspired by the music to simultaneously make a painting. This creation process was followed closely by nine video cameras. The images were mixed by VJ-Stalker according to a concept by Marja Sonneveld. The DVD contains the adaptation of this public live performance in which the tension between the musical performance and the creation process of making a painting keeps after the viewer.
Eric de Nie: “I put myself in a condition whereby the length of Feldman’s composition becomes a paradigm for the space of the canvas”In the complex simplicity of Morton Feldman very subtle time experience is involved. In America Kees Wieringa was recently acclaimed one of the top performers of the music of Morton Feldman. For the painter Eric de Nie time and the visual imaginary of music plays an important role in his work. Marja Sonneveld, the director of the visual concept of this project, also works as a photographer and a video documentary maker. Through his video- and sound-art-installations and performances VJ-Stalker has acquired national and international fame in the world of music and fine arts.
canto ostinato - 2000
Live-painting during concert "Canto Ostinato' for 4 keybords (by Simeon ten Holt), 2 videotracks on 10 monitors by Marja Sonneveld and Luiz H. Yudo, Yakultzaal, Beurs van Berlage, Amsterdam. |
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de schepping / the creation 2001 Paintingpractical, concept Kees Wieringga, interactive design Ruud Lanfermeijer, video Luis H.Yudo, Theater Zeebelt, Den Haag, 2001
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